Showing posts with label Dalglish. Show all posts
Showing posts with label Dalglish. Show all posts

Saturday, 11 January 2014

After The Gold Rush

[Originally published in Well Red magazine, September 2010]






I remember the first time I saw Ian Rush in a Liverpool shirt.  1981.  The League Cup Final Replay.  West Ham in the role of plucky yet ultimately doomed opponents.  Kenny Dalglish provided a moment of sublime invention, latching on to a probing McDermott through ball to hook a subtly executed volley over a bemused, immaculately coiffed Phil Parkes.  Alan Hansen headed the winner, via the outstretched thigh of luckless Hammers skipper, Billy Bonds.  And a scrawny 19 year old from North Wales gave a tantalising glimpse of the future, a future that was to be defined by an almost supernatural capacity for scoring goals and a largely unprecedented accumulation of silverware.

 

Unusually, Rush didn’t score in that game. Indeed, it wouldn’t be until his ninth outing that he managed to open his account for the club, a typically instinctive strike against Finnish minnows, Oulun Palloseura.  Given that the match took place the day after Bill Shankly’s untimely death, the significance of Rush’s goal was not immediately apparent.  But for those who believe that football, on occasion, has the capacity to transcend its populist, media-fuelled status and attain a sense of the mythic, it seemed to represent the passing of the Anfield torch from one glorious generation to the next.  Shankly, more than anyone, would have appreciated the symbolism.

 

From that moment on, there was no stopping Ian Rush.  With a game based on an explosive turn of pace, unmatched anticipation and a calmness in front of goal not seen since the days of Jimmy Greaves, he quickly established himself as the most clinical striker in the country.  For the next six seasons it was a genuine privilege to witness Rush consistently terrorise opposition defences in tandem with the peerless Dalglish, a partnership which came to redefine the concept of a ‘telepathic relationship.’  Where Kenny crafted and probed, all guile and artistry, the consummate sorcerer, his apprentice applied the rapier thrust.  Time and again Rush was on hand to pierce even the most stubborn of rearguards, with a predictability that would have bordered on the monotonous if it hadn’t been so uniquely thrilling.

 
 


Five times in this spell he exceeded the elusive ‘30 goals in a season’ target; twice he reached the 40 mark.  Last minute winners, hat-tricks, crucial cup final strikes, all were included in his repertoire. You didn’t just hope that Ian Rush would score - you expected him to score, you knew that he would score.  More often than not, he didn’t disappoint.

 

Examples of Rush’s goalscoring proficiency spring readily to mind.  There was the historic four-goal haul against habitual victims Everton at Goodison in 1982, a performance later to be immortalised in enduring Kop anthem, ‘Poor Scouser Tommy’; a devastating triple strike on a frozen pitch at Villa Park, including a fiercely lashed volley and a delicate lob bordering on the facetious; a decisive pair in a bitterly fought European Cup semi-final in Bucharest; and, of course, the goals that twice denied Everton the FA Cup, each a masterpiece of composure, execution and timing.  

 

For many Liverpool followers though, even these towering achievements were eclipsed one murky afternoon in October, 1983.  With Luton Town playing to perfection the part of sacrificial lambs, Rush gave arguably the most complete exhibition of the striker’s art ever seen at Anfield.  It wasn’t just the fact that he found the net five times that day.  Nor was it simply the quality and diversity of the strikes, which encompassed instinctive close-range finishes, a flying header and a thunderous volley taken at full pace to despatch a 60 yard Rubble through-ball (one of the great ’forgotten’ Liverpool goals).  No, what was most profoundly memorable for me was that this was the first time I saw an entire defence consumed by fear.  Rush’s mere presence provoked the kind of outright panic seldom displayed on a football pitch, his every touch causing visible consternation and dispute in the Luton ranks.  It was like watching a skilled matador toying with a confused bull, patiently circling his forlorn prey before administering the fatal attack.  It was a brutally efficient, coldly clinical demonstration, showcasing a master craftsman at the peak of his powers.

 

It’s probably fair to say that Ian Rush’s second spell at Anfield, after a troubled though not entirely fruitless season with Juventus, never quite reached the same predatory heights. In fairness, he’d set a standard that was impossible to live up to.  Liverpool’s style of play had evolved in his absence, with the attacking emphasis now largely focused on the power and delivery of John Barnes from the left wing.  Rush, who was accustomed to feeding on the kind of defence-splitting, slide-rule passes perfected by the likes of Dalglish, Molby and McMahon, did not initially appear comfortable in this formation.  However, as with all truly great players he was able to adjust and develop his game and was, within two years of his return, once more the goalscoring fulcrum of a Championship winning team.

 
 


So, just how good was Ian Rush?  Was he as fearsome a finisher as his domestic contemporary, gurning crisp whore, Gary Lineker?  Did he match up to Geordie Messiah, Alan Shearer?  Could he really be classed ahead of Red icons like Hunt, Fowler, Owen (in the days when his integrity was still untarnished) and Torres, as our finest ever striker? 

 

For me there is no debate.  I have never seen a forward more incisive in front of goal, more selfless in support of the team aesthetic, or more reliably consistent when called on to prove his worth than Ian Rush.  It is a tribute to his quality that, in a team overflowing with genuinely world-class performers, he was the most sought after and the most feared talent, as highly regarded on the continent as he was on home shores.  He could be kicked, buffeted, barged or elbowed, marked man-to-man or targeted for intense provocation.  But, at his peak, he could not be stopped.  He just carried on doing what he did best. 

 

He scored goals. 



 

Saturday, 5 October 2013

The End Of A Dark, Dark Day

[Written on the day Kenny Dalglish was sacked, 16th May 2012; published in Well Red magazine]






It was the headline on Sky Sports News that got me.

 
Liverpool sack Kenny Dalglish.’

 
Screaming gleefully into our front rooms, clear as day, garishly presented on a bright yellow background for added impact.

 
Read it back.  Think about what it means, what those four words say about our football club and where it is at this precise moment. 

 
Our greatest living legend.  The man who won us the European Cup at Wembley; who defied history and logic to lead us to the double in his first season as a manager; who created a team that brought fantasy football to life, the ultimate in artistry and consummate style; who carried a city on his shoulders in its darkest days, at the expense of his own health and well-being; and who answered the call to rescue us from the smouldering ashes that engulfed our club in the aftermath of Hicks, Gillett and Hodgson.

 
Yes.  That Kenny Dalglish.  Sacked.  By hedge fund managers and accountants and people who are infinitely more comfortable with a balance sheet than they will ever be with a team-sheet. 

 
Welcome to Liverpool Football Club, 2012.

 
Because apparently one season is all a man like Kenny Dalglish deserves.  I know this is so because I’ve seen people say it on Twitter and across forums, even at the match.  He’s past it, Dalglish. Hasn’t got a clue anymore.  And so what if he did deliver our first trophy in six years, and come tantalisingly close to a second?  That means nothing to the new breed.  Not when we could be battling it out with Newcastle and Tottenham for fourth place.  That’s where the real glamour is.  The kudos.  The cash.

 
Except, that’s not the way I expect my club to behave. 

 
We’re meant to be different from the rest.  We laugh at Chelsea with their plastic flags and their plastic fans and their revolving door policy when it comes to managers.  We assume an air of self-aggrandising superiority and hark back to history, to tradition and to the ‘Liverpool Way.’


Well, there’s nothing to laugh about now.  Because our owners, the hedge fund managers and the accountants, emboldened by the acquiescence of many of our own supporters, have taken that history and pissed all over it.  And we’re happy to accept it, in the name of brand optimisation and maximised income streams and the viability of ‘the project.’  Effectively, we’ve just become the new Chelsea.

 
And if that means telling the club’s most revered servant that one full season is all he gets to build a team to compete at the highest level, even after two years of stagnation and crippling internal conflict, then so be it. 

 
But be warned.  The benchmark has been set.  And if the next manager, whether it’s Martinez or Benitez or David sodding Moyes fails to get us near a Champions League place next season then don’t start whinging about knee-jerk reactions or short-term thinking when he is thanked for his contribution and sent on his way.

 
We’re now looking for our fourth manager in two years.  That’s the same number we employed in the 32 year period between the arrival of Shankly and the resignation of Dalglish in 1991. Any notion of continuity, of stability, belongs to a Liverpool of the past.  All that matters now is short-term achievement, sponsorship deals and kit marketing.

 
But what price the soul of the club?  What price our reputation as a club that has a unique DNA, an unseen umbilical bond linking all who hold the Liver Bird dear?  For me, part of that died yesterday. 

 
I know all the arguments that are coming my way.  That I’m allowing sentimentality to cloud hard business sense.  That I’m living in the past.  That I’m suggesting that Kenny Dalglish should be judged by a different set of criteria than any other manager.

 
I don’t deny any of that.  And what’s more I’m proud of it.  Because if we can’t apply emotion and bias and the experience of our formative years to discussions of football, then when can we bring them into play?

 
And for me, Kenny Dalglish has done enough for this club to warrant the kind of consideration that no other manager should rightly receive.  Because otherwise, you’re telling me that we should judge him in exactly the same way, and by the same set of values, that we judge Roy Hodgson.  And whether you like it or not, that won’t be happening.

 
Only one man has come out of this debacle with his dignity intact.  It’s the man I stood outside Melwood in August 1977, the week he signed for the club, to get an autograph from.  The man who amazed me week after week with his bravery and craft and commitment.  The man who turned football into art and made that art something we could all enjoy.

 
So farewell, Kenny.  In the end, we didn’t deserve you.

 

It’s been a dark, dark day.